Lesson of the day: Famous paintings

Lesson of the day: How much do you know about these art pieces?

Mona Lisa:

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Mona Lisa is a painting by the Italian Renaissance artist Leonardo Da Vinci, which has been described as “the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world”.

The painting is a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, and is in oil on a white Lombardy poplar panel, and is believed to have been painted between 1503 and 1506. Leonardo may have continued working on it as late as 1517. It was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at the Louvre Museum in Paris since 1797.

The subject’s expression, which is frequently described as enigmatic, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism were novel qualities that have contributed to the continuing fascination and study of the work.

The Scream:

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The Scream is the popular name given to each of four versions of a composition, created as both paintings and pastels, by the Expressionist artist Edvard Munch between 1893 and 1910. The German title Munch gave these works is Der Schrei der Natur (The Scream of Nature). The works show a figure with an agonized expression against a landscape with a tumultuous orange sky. Arthur Lubow has described The Scream as “an icon of modern art, a Mona Lisa for our time.”

Edvard Munch created the four versions in various media. The National Gallery, Oslo, holds one of two painted versions (1893, shown here). The Munch Museum holds the other painted version (1910, see gallery, below) and a pastel version from 1893. These three versions have not traveled for years.

The fourth version (pastel, 1895) was sold for $119,922,600 at Sotheby’s Impressionist and Modern Art auction on 2 May 2012 to financier Leon Black, the fourth highest nominal price paid for a painting at auction.[5] The painting was on display in the Museum of Modern Art in New York from October 2012 to April 2013.

Also in 1895, Munch created a lithograph stone of the image. Of the lithograph prints produced by Munch, several examples survive.[6] Only approximately four dozen prints were made before the original stone was resurfaced by the printer in Munch’s absence.

The Scream has been the target of several high-profile art thefts. In 1994, the version in the National Gallery was stolen. It was recovered several months later. In 2004, both The Scream and Madonna were stolen from the Munch Museum, and were both recovered two years later.

The Creation of Adam:

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The Creation of Adam is a fresco painting by Michelangelo, which forms part of the Sistine Chapel’s ceiling, painted c. 1508–1512. It illustrates the Biblical creation narrative from the Book of Genesis in which God breathes life into Adam, the first man. The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis.

The image of the near-touching hands of God and Adam has become iconic of humanity. The painting has been reproduced in countless imitations and parodies. Leonardo da Vinci’s The Last Supper and Michelangelo’s Creation of Adam are the most replicated religious paintings of all time.

Whistler’s Mother:

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The Whistler’s Mother is a painting in oils on canvas created by the American-born painter James McNeill Whistler in 1871. The subject of the painting is Whistler’s mother, Anna McNeill Whistler. The painting is 56.81 by 63.94 inches (144.3 cm × 162.4 cm), displayed in a frame of Whistler’s own design. It is exhibited in and held by the Musée d’Orsay in Paris, having been bought by the French state in 1891. It is one of the most famous works by an American artist outside the United States. It has been variously described as an American icon and a Victorian Mona Lisa.

Some Italian Art Terms You Should Know

One of the most popular stops on the West portrait painting and sculpture. Invented by the ancient Greeks in the early 5th century BC, pose gives life to static elements, imbuing them with a natural sense of movement. A man standing in contrapposto leaning all his body weight on one leg, while the other, more relaxed leg bends at the knee. trunk form, shoulders and head all tilted away from the straightened leg, thus completing the twist.

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Μια από τις πιο δημοφιλείς στάσεις στη δυτική προσωπογραφία στη ζωγραφική και στη γλυπτική. Εφευρέθηκε από τους αρχαίους Έλληνες στις αρχές του 5ου αιώνα π.Χ., η πόζα δίνει ζωή σε στατικά στοιχεία, εμποτίζοντας τους με μια φυσική αίσθηση της κίνησης. Ένα άτομο που στέκεται στο κοντραπόστο κλίνει όλο το σώμα του βάρος του στο ένα πόδι,  ενώ οι άλλες, πιο χαλαρή στροφές πόδι στο γόνατο. κορμός της μορφής, τους ώμους και το κεφάλι όλοι κλίση μακριά από το ισιωμένο πόδι, ολοκληρώνοντας έτσι τη συστροφή.

Fresco — the medium employed for Michelangelo’s Sistine Chapel Ceiling (1508-1512). To create a fresco, artists apply a mixture of powdered pigments and water to wet lime plaster, prompting a chemical process that fuses the pigment with the wall. Because plaster dries quickly, artists must complete their frescoes in sections, each of which is called a giornata,

While frescoes were most popular in ancient Rome and during the Italian Renaissance (Italy’s hot, dry climate providing especially favorable conditions for their preservation), the medium was revived during the 20th century by Mexican Muralists like Diego Rivera.

Plafond de la Chapelle Sixtine
Plafond de la Chapelle Sixtine

Τοιχογραφία – το μέσο που χρησιμοποίησε ο Μιχαήλ Άγγελος για την οροφή του Καπέλα Σιξτίνα (1508-1512). Τεχνική που χρονολογείται από την αρχαιότητα  Για να δημιουργήθει μια τοιχογραφία, οι καλλιτέχνες εφαρμόζουν ένα μείγμα από σκόνη, χρωστικές ουσίες και το νερό σε υγρή ασβεστοκονίαμα, προκαλώντας μια χημική διαδικασία που συνδυάζει τη χρωστική ουσία με τον τοίχο. Επειδή όμως ο γύψος στεγνώνει γρήγορα, οι καλλιτέχνες πρέπει να ολοκληρώσουν τις τοιχογραφίες τους σε τμήματα, καθένα από τα οποία ονομάζεται giornata,

Ενώ οι τοιχογραφίες ήταν πιο δημοφιλής στην αρχαία Ρώμη και κατά τη διάρκεια της ιταλικής Αναγέννησης (το ζεστό και το ξηρό κλίμα της Ιταλίας παρέχει ευνοϊκές συνθήκες για τη διατήρησή τους), το μέσο αναβίωσε κατά τη διάρκεια του 20ου αιώνα από το Μεξικανό τοιχογράφο Σαν Ντιέγκο Ριβέρα.

Sfumato is another artistic innovation credited to da Vinci. Meaning “to evaporate like smoke,” sfumato is a painting technique that produces soft, hazy transitions between tones—the visual opposite of a sharp outline. The most famous example of sfumato is da Vinci’s Mona Lisa (1503-1506), which features smoky, almost-imperceptible gradations between light and shadow. This method of chiaroscuro is what gives the Mona Lisa her enigmatic smile, as the defining features of her expression—the curves of her lips and the look in her eyes—are masked under the haze of sfumato.

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Sfumato είναι μια άλλη καλλιτεχνική καινοτομία που πιστώνεται  στο Leonardo Da Vinci. Που σημαίνει, “να εξατμιστεί, όπως ο καπνός,” Sfumato είναι μια τεχνική ζωγραφικής που παράγει μαλακό θολό. Το πιο γνωστό παράδειγμα sfumato είναι η Μόνα Λίζα (1503-1506), το οποίο διαθέτει καπνιστή, σχεδόν ανεπαίσθητες διαβαθμίσεις ανάμεσα στο φως και τη σκιά. Αυτή η μέθοδος της φωτοσκίασης είναι αυτό που δίνει στη Μόνα Λίζα το αινιγματικό χαμόγελό της, όπως και τα καθοριστικά χαρακτηριστικά της έκφρασης της,  της καμπύλες των χειλιών της και το βλέμμα στα μάτια της,